Friday, February 25, 2011

Dance, dance

It’s been an awesome couple of weeks for music lovers in SA. There was Rammstein (my ears are still blocked but my eyebrows are thankfully intact), N*E*R*D, Faithless and of course U2 – all of which proved that South Africans are more than willing to part with their hard-earned cash for an hour or two of live music, pyrotechnics and showmanship.

Tickets for RAMfest, happening next month in Durban, Cape Town and Jozi, are selling like hotcakes, which also goes to show that bands don’t need to be commercial radio favourites to pull the crowds. Like Rammstein, RAMfest’s international acts Funeral for a Friend and Alkaline Trio are relatively underground bands here but have a strong enough fan base that people will be singing along to their tunes, moshing in the pits and head banging to the guitar solos. (As for me, I’m looking forward to cutting a rug to the happily morbid Alkaline Trio.) On the flipside, it’s equally heartwarming that local musos Die Antwoord, Zebra and Giraffe and Van Koke Kartel are successful enough to sell tickets all by themselves.

Speaking of local bands worth watching, Saturday evening saw me at Town Hall in Newtown for Dance, You’re on Fire’s launch of their debut album Secret Chiefs. If you haven’t heard their tunes Boxes of Tigers, Little War and Blockade on the radio I can only encourage you to come out from under that rock you’ve been calling home and put on your dancing shoes.
The Jozi foursome has concocted an infectious blend of pop, punk and indie tunes reminiscent of Fall Out Boy. Frontman Tom Manners shows off vocals Patrick Stump would be proud of while embodying the swagger of Pete Wentz (yes, the ladies love him and his very tight skinny jeans).

For every catchy tune, the guys had one that sounded pretty much the same, which made for a nice opportunity to refill our plastic cups and make a break for the bathroom. All in all, it was good night out. Special mention’s got to go to Tht Grl DJ whose excellent taste in tunes got the crowd fired up for the band. (Her alter ego Roxanne Maritz appears in our May Music issue as a trend setter on the music scene so watch out for her.) Brotherly DJ duo Double Adapter also hit the decks after the band for their aggressive electro beats and visual explosions which I would have loved if I was five years younger and three drinks drunker. Unfortunately I was neither so I waved to the metro cops as I made my way home for 2am tea and Chuck on DVD.

Wednesday, February 9, 2011

In pursuit of perfection

It’s been three days since I saw Black Swan and I still have Tchaikovsky's Swan Lake running through my head. And it’s giving me the creeps.

The small-budget, big impact movie about a ballet dancer Nina (Natalie Portman) desperate for role of the Swan Queen, is chilling, brilliant and mesmerising. But it’s not for the faint hearted.
From director Darren Aronofsky, who gave us the similarly unnerving Requiem for a Dream and The Wrestler, the drama gets inside your head and under you skin as Nina battles her insecurities, overbearing mother (Barbara Hershey), suggestive artistic director (Vincent Cassel) and rival dancer Lily (Mila Kunis) to nail the characters of the virginal White Swan and the dark, seductive Black Swan.

The always incredible Miss Portman trained for year for the role and is now preggers with choreographer Benjamin Millepied’s child (I can just imagine how those sweaty sessions went). Most of the dancing you see on screen she did herself with ABT (American Ballet Theatre) ballerina Sarah Lane doubling the most intricate bits.
But her dedication to dance is not the thing that impressed me most. It’s that such a seemingly level-headed, nice Jewish girl like Nat could take herself into such a dark and twisted place and come out the side, smiling on the red carpet for awards season. That’s what makes her performance Oscar-worthy. By the end of the film, she is barely recognizable. And that’s about as much as I’ll say about the movie, except that you simply must watch it (perhaps not with your mom or on a first date).

One half of me can’t wait to see it again. The other half doesn’t think I can put myself through the melodrama again but like an addict in denial, I know I’ll eventually go back for more. Image © 2008 Nu Metro Entertainment. All Rights Reserved